投影背景墙用什么颜色木饰面 The Best Movies of 2025

Seventeen-year-old Johanne (Ella Øverbye) discovers love vicariously, in the pages of a book, and when that overwhelming feeling toward another person strikes her for the first time, her instinct is to put it down in words. For a time, her heightened emotional state — an adolescent obsession with a teacher named Johanna (Selome Emnetu) — is a secret shared only with the audience. Little by little, as this shy teen lets others in, Norwegian director Dag Johan Haugerud invites us to question how much of what we see and hear really happened, and how much occurred in Johanne’s head. A novelist who rightly recognizes cinema as the medium of our time, Haugerud intuits the use of color, texture and music better than many career filmmakers, illuminating Johanne’s personal awakening, while daring to raise provocative questions about how various parties inevitably experience a relationship differently. Though some purists view narration as a crutch, Haugerud’s Oslo Trilogy — three loosely interconnected studies of modern attraction, titled “Sex,” “Love” and “Dreams” — demonstrates how deeply voiceover can enrich the psychological dimension of a movie. Here, in a queer film that open-heartedly reflects a generation unconcerned with labels, is the project that best delivers on the promise of Norway’s last cinematic marvel, Joachim Trier’s “The Worst Person in the World.”